I’m a film sound professional.

I’ve spent over ten years working across every stage of cinematic sound: on set as production sound mixer, and in the room editing dialogue, designing sound worlds, and mixing the final picture.

Sound isn’t a complement — it’s where atmosphere lives, where tension builds, where emotion lands when the image alone can’t carry it. A well-recorded set, clean dialogue, a design that places the audience without them noticing: that’s the invisible work that builds the experience. That’s the work I care about.

I trained at the International School of Film and Television (EICTV) in Cuba, and before that studied Visual Arts at the Universidad Nacional de Colombia — a combination that’s not accidental. Thinking sound through image, and image through sound, is central to how I understand this craft.

I’ve worked on over 60 projects across Colombia, Dominican Republic, Cuba, Puerto Rico, Costa Rica, and the United States — documentary, fiction, filmed theatre, and commercial. With Latin American and English-speaking directors, in independent productions and projects with international distribution.

I am an accredited member of the Colombian Cinema Sound Association (ADSC) and the Colombian Academy of Cinematographic Arts and Sciences (ACACC).